The Sometime Seminar discusses the poetry of Robert Duncan (1919-1988), looking over his Selected Poems (which collects work published 1939-1987). Duncan’s Collected Writings are being published by the University of California Press.
Supplementary links: Duncan bio and sample poems from the Poetry Foundation
How do you read a philosophical work that explicitly disqualifies you from its readership? If the path of an argument seems perversely obscure and digressive, is it okay to throw rigor to the winds and just enjoy the sights along the way?
The Sometime Seminar discusses The Concept of Anxiety (1844) by Søren Kierkegaard. (Recently retranslated by Alastair Hannay in 2014; also available in the standard English edition of Kierkegaard’s works.)
If a novel is much more about mental states, processes and shadings than it is about external action, does that make it plotless, or does it make every word and implication part of the plot? And if the novel is quietly running a deceptively complex and even theatrically comic “real” plot in parallel with the psychological scalpel-work, what then?
The Sometime Seminar discusses The Ambassadors (1903), a late masterpiece of novelistic psychology by Henry James.
Many electronic texts of The Ambassadors are extremely poorly edited. We recommend the Modern Library edition (with a thoughtful introduction by Colm Tóibín) rather than the free Project Gutenberg or paid Oxford World’s Classics editions, both of which are ridden with errors.
The Sometime Seminar discusses Goodbye to Language (Adieu au langage, 2014), the most recent film by Jean-Luc Godard.
Supplemental links: Ted Fendt’s enormously helpful compilation of quotations and references; David Bordwell’s thoughtful blog entries on the film
What makes Alfred Hitchcock such an inescapable figure in film history and criticism? And when we talk about Hitchcock, are we talking about the man behind the camera or the mind moving in the image?
The Sometime Seminar talks about Alfred Hitchcock: The Man Who Knew Too Much (2015), a brief artistic biography of Alfred Hitchcock by our friend Michael Wood.
How much repetition-with-variation does it take to turn a schtick into a genre? What elevates trashy horror pulp to the stature of GREAT trashy horror pulp? And if we know that the thing behind the door is an eldritch horror from the nameless depths, just like the last hundred things behind the last hundred doors, why do we always open the door anyway?
The Sometime Seminar discusses the seminal science-fictional horror weirdness of H.P. Lovecraft, with a look at the 1927 story “The Colour out of Space” and a general discussion of the rest of the Lovecraft oeuvre. (This story can be found in the Call of Cthulhu volume of Penguin’s definitive edition of Lovecraft’s stories.)
Come for the elegantly hilarious descriptions of horrible food, terrible people and repulsive decor; stay for the razor-sharp psychological and socio-historical analyses.
The Sometime Seminar discusses Great Granny Webster (1977) by Caroline Blackwood, a short novel of family history.
THRILL as stock genre trappings warp and mutate under the power of weird genius! MARVEL as brains-in-a-vat reality paranoia crosses over into theology and metaphysics! WONDER as interplanetary travel and communication with the dead are outstripped in strangeness by the mysteries of…The Commodity Form!
The Sometime Seminar discusses the metaphysical science-fiction novel Ubik (1969) by Philip K. Dick.
Hypercathected expressionism faces off against freewheeling shaggy-doggitude in a titanic battle of tones! Which will triumph, the elephant or the termite?
The Sometime Seminar discusses the film adaptation of the Pynchon novel Inherent Vice (2014) by Paul Thomas Anderson.